![]() The narrator lies in the middle range and begins in the minor mode. The four characters in the song – narrator, father, son, and the Erlking – are all sung by a single vocalist. Its form is the through-composed song although the melodic motives recur, the harmonic structure is constantly changing and the piece modulates within the four characters. Schubert's adaptation of "Erlkönig" is a romantic musical realization that represents the various rational and irrational elements of Goethe's ballad by contrasting yet unifying musical elements. Problems playing this file? See media help. The original (for medium voice) is in the key of G minor, though there are also transposed editions for high and low voice. "Erlkönig" exists in four versions by Schubert's hand, with the 3rd version featuring a simplified piano accompaniment without triplets in the right hand. Publication history Schubert's manuscript, c. The public premiere on 7 March 1821 at the Theater am Kärntnertor was a great success, and quickly propelled the young composer to fame in Vienna. ![]() The work was first performed in concert on 1 December 1820 at a private gathering in Vienna. He revised the song three times before publishing his fourth version in 1821 as his Opus 1. ![]() Schubert composed "Erlkönig" at the age of 18 in 1815 – Joseph von Spaun claims that it was written in a few hours one afternoon. Goethe's poem was set in music by at least a hundred composers, including Johann Friedrich Reichardt, Carl Friedrich Zelter and Carl Loewe, though no work would become as preeminent as Schubert's, which stands among the most performed, reworked and recorded compositions ever written.
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